Saturday, March 3, 2012

Photography Knowledge 101: What the Hell is SEPIA?

I found this post here thought you all might enjoy a little photo history lesson...

Photo by Toni Camara - A perfect example of sepia with the iconic Eiffel tower shot

Ever clicked the sepia button on Aperture, Lightroom, or your favorite photo app and wondered, “What the hell is sepia?” I bet you have. It’s fascinating how many novice and seasoned photographers alike don’t know exactly what Sepia is. So I figured I’d give you all a little bit of cocktail party ammunition to impress your friends.
In short, sepia is more than that burnt color tone filter readily available in most photo editing programs.
Put simply, sepia is a form of photographic print toning – a tone added to a black and white photograph in the darkroom to “warm” up the tones (though since it is still a monochromatic image it is still considered black and white). Sepia began in earnest in the 1880s, partially to make photographs look better, but also because the chemicals involved in Sepia aided in slowing down the aging of a photograph. A preservative of sorts.
What the hell is this toner stuff? Sepia toners are chemicals that work to convert the traditional metallic silver in the print to a sulfide-based compound, which can be applied in varying degrees of intensity depending on how “warm” the desired effect of sepia is. There are a few different compounds that can create this effect. In addition to the color shift, these sulfide compounds act as better ‘shields’ of sorts than the traditional metallic silver, and prevents environmental pollutants from damaging the print, in many cases giving the print a 50% longer life.
So, summarily, sepia has both form and function. Sure it’s a button in your fav photo editor. But at its core, it is 130 year-old creative toning process with roots as both an artistic ‘color’ statement and an enhancer of the archival qualities of a printed photo to help a printed image deteriorate more slowly.
More info for photo geeks that want to go deeper, here on wikipedia.

Monday, January 23, 2012

THIS IS WHAT HAPPENS WHEN . . .

This is What Happens When You Give Thousands of Stickers to Thousands of Kids

This is What Happens When You Give Thousands of Stickers to Thousands of Kids stickers kids installation art
This is What Happens When You Give Thousands of Stickers to Thousands of Kids stickers kids installation art
This is What Happens When You Give Thousands of Stickers to Thousands of Kids stickers kids installation art
This is What Happens When You Give Thousands of Stickers to Thousands of Kids stickers kids installation art
This is What Happens When You Give Thousands of Stickers to Thousands of Kids stickers kids installation art
This is What Happens When You Give Thousands of Stickers to Thousands of Kids stickers kids installation art
This is What Happens When You Give Thousands of Stickers to Thousands of Kids stickers kids installation art
This December, in a surprisingly simple yet ridiculously amazing installation for the Queensland Gallery of Modern Ar, artist Yayoi Kusama constructed a large domestic environment, painting every wall, chair, table, piano, and household decoration a brilliant white, effectively serving as a giant white canvas. Over the course of two weeks, the museum’s smallest visitors were given thousands upon thousands of colored dot stickers and were invited to collaborate in the transformation of the space, turning the house into a vibrantly mottled explosion of color. How great is this? Given the opportunity my son could probably cover the entire piano alone in about fifteen minutes. The installation, entitled The Obliteration Room, is part of Kusama’s Look Now, See Forever exhibition that runs through March 12.

Sunday, January 15, 2012

The Crew. . .

Now that Christmas is over, I can post these pics.... they were part of a series for my wife... I hope you like them as much as I do.... (of course, I'm a little biased.)




(Click on the images above to view them in their original size.)

Monday, January 2, 2012

Getting Started. . . .

At the start of the 2012 year, let's not forget what's most important. . .